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Lisa Books World Cup Stage as BLACKPINK’s Global Year Takes Shape (May 11, 2026)

May 11, 2026 · 7m 18s · Listen

Lisa just locked in a World Cup opening-ceremony slot, and that’s only the first headline today. A World Cup stage, an OT4 Met Gala moment, Jennie breaking records — okay, I’m spiraling a little. Welcome to BLACKPINK Daily. Today we’ve got the whole board: YG’s anniversary plans, Lisa’s latest move, and what Rosé’s brand work is actually signaling. Yeah, this one feels like everything hitting at once. Let’s get into it. Here's Yoon Sanggeun at STARNEWS:

BLACKPINK member and solo singer Lisa (LISA) will perform at the 2026 FIFA North American World Cup opening ceremony. According to U.S. sports outlet The Athletic and others on the 8th (local time), Lisa has joined the lineup for the opening ceremony performance of the 2026 North American World Cup, jointly hosted by the United States, Canada, and Mexico.

Lisa is booked for the 2026 FIFA World Cup opening ceremony at SoFi Stadium, with Katy Perry, Future, Tyla, and Anita. The Athletic confirmed it, so we’re well past rumor territory. Jungkook did Qatar 2022, now Lisa gets North America 2026 — K-pop is basically a permanent fixture on the world stage now, and I’m not being normal about it. And this is on top of ‘Viva La Lisa’ at Caesars Colosseum, so her 2026 calendar is honestly not human. Met Gala, World Cup, residency — she’s running three lanes at once. SoFi Stadium. Opening ceremony. The biggest sporting event on the planet. I need the other three watching from somewhere very expensive. This one's from SoSugary:

The appearance carries added weight as one of the group’s few joint public outings since their most recent release, Deadline – which came out in February 2026. The members have since focused on solo music, acting and global brand partnerships, making joint appearances increasingly rare.

All four BLACKPINK members on the Met steps together — Jennie in Chanel, Jisoo in her Dior debut, Rosé in Saint Laurent, Lisa in Robert Wun. Four ambassador-level looks in one night, and every brand knew exactly what it was doing. The bathroom mirror selfie broke the internet, and honestly, it broke me a little too. We’ve been starved for OT4 content since Deadline dropped in February, and they just casually handed us this. To be clear, this isn’t a comeback signal — it’s a fashion moment. But four label rosters and four solo schedules syncing up at the Met? That doesn’t happen by accident. I’m not saying it means a tour announcement. I’m just saying somebody somewhere should be saying it means a tour announcement. From Kim Jae-heun at The Korea Herald:

YG Entertainment is preparing for a landmark year, as the agency celebrates its 30th anniversary in 2026 and flagship groups Big Bang and Blackpink mark their 20th and 10th years, respectively. Although the members of both groups have moved to separate agencies or established independent labels for solo activities, Big Bang and Blackpink remain among YG’s most recognizable intellectual properties and major revenue drivers.

Korea Herald says YG Entertainment is treating 2026 like a victory lap — its 30th anniversary, Big Bang’s 20th, and BLACKPINK’s 10th are all landing in the same year, and the label is leaning into all three. BLACKPINK’s 10th anniversary. I need everybody to sit with that for a second. Ten years. And we still don’t have an official comeback announcement, so YG better not let this milestone just drift by. To be fair, the article leans harder on Big Bang — new album, world tour launching in August, Coachella already done. BLACKPINK is in there as a milestone, but the concrete plans aren’t spelled out yet. So either YG is being strategic with the rollout, or BLACKPINK fans are about to spend their 10th anniversary refreshing the company blog for crumbs. Both feel very possible. Here's Yahoo News Canada:

When it comes to airplay, Jennie is one of only a few K-pop soloists to score multiple smashes on Billboard’s Radio Songs ranking. As “Dracula,” her team-up with Tame Impala, continues to climb, Jennie passes her own bandmate and scores a historic hit.

Jennie’s ‘Dracula’ with Tame Impala just passed Lisa’s peak on Billboard’s Radio Songs chart, and that is a verified, chart-tracked milestone — not a fan ranking somebody made in a Google doc. Okay, but can we sit with the fact that Jennie is now the BLACKPINK member with the highest-charting solo radio hit in the U.S.? Four weeks in and still climbing — the Tame Impala collab was the right call, and I’m saying that loudly. The Ruby album didn’t crack the top 40 on the Hot 100, so radio is really where Jennie is breaking through stateside — and it’s the feature credits, not the solo cuts, carrying the load. Which is a weird thing to type out, like her own album isn’t her biggest U.S. win. But ‘Dracula’ has that crossover alt-rock radio DNA baked in, so honestly? Makes sense. Annoying, but it makes sense. Here's Luna Duffy at Hollywood Branded:

ROSÉ belongs firmly in the second, far rarer category. As a member of BLACKPINK and now as a solo artist whose reach has expanded well beyond her group context, she has constructed a cultural profile that commands genuine recognition and passionate commercial engagement across the deeply different media ecosystems of Asia and the Western world simultaneously.

Hollywood Branded put out a deep dive on what Rosé’s solo run actually means for brand strategy, and the numbers are real: ‘APT.’ was the best-selling global single of 2025, she got three Grammy noms including Record and Song of the Year, and ‘R’ moved nearly 450K copies in its first week as a Korean female soloist. Most Grammy-nominated song by any K-pop artist ever. Ever. And we’re still out here asking whether K-pop gets taken seriously in the West — the receipts are right there. The article’s main point is that Rosé isn’t just internationally popular — she has real cultural weight in both Asian and Western media at the same time, which is rare and makes her a very different kind of asset for global brands than a typical crossover act. Which, yes — but I also need brands to understand the fandom did a lot of that lifting. You don’t top charts in that many countries on one song without a deeply mobilized global fanbase. Rosé delivered, BLINKs showed up. If you’re enjoying BLACKPINK Daily Podcast, take a moment to subscribe and leave a quick review wherever you’re listening. It really helps other fans find the show and keep up with the latest BLACKPINK news.

You’ll find links to every story we mentioned today in the show notes. If something caught your ear, they’re there for a closer read.

That’s BLACKPINK Daily Podcast for today. Thanks for listening, and we’ll be back tomorrow. This is a Lantern Podcast.